Journal of a novel: Aug. 26, 2016. Page count

In a series of posts, I’ll share both Steinbeck’s Journal of a Novel and what I learn from it, and I’ll show you what the writing life is like for me.

John Steinbeck wrote every weekday, and sometimes on the weekends. He wrote one page, maybe two. It doesn’t sound like much. Maybe he mulled over each word extensively before he committed it to paper. I’ll admit when I read about his “page a day,” I was somewhat amused. I would have expect more production from a writer of his ilk.

One way or the other, I also write every weekday, and sometimes on the weekend. I’m not always advancing a novel or a short story; sometimes it’s a blog post, an essay, or a promotional piece.

I ran out of time yesterday to get a Journal of a Novel post onto this blog. It was an exceptionally busy day. I’m auditing a fiction-writing class and yesterday was the first meeting. In addition, I had my normal amount of work to accomplish. Nevertheless, I got some creative writing done. Our “homework” is to make like Steinbeck and write every day.  One page. We’re to work on short stories and turn in five pages every Friday. (Ramping up at top speed, we were assigned three pages for this week even though it’s a short “class week.”) This is called the “Page Count” part of the coursework.

Instead of sitting around waiting for inspiration to strike, we’re to get into the habit of writing every day. It creates a discipline, and keeps the brain engaged in the work-in-progress. In addition to the requirement that we write a page a day, we were charged with writing NO MORE than a page a day, even if our brain is buzzing with ideas. Ending the work day with something still to be written means we’ll be up and running the next day. So now I understand Steinbeck’s work habits better. He may have employed this very same practice.

Magic UnveiledSo even though I am engaged in getting two novels out in the next five months, plus finish a short story and a poem slated for submission, I started a new short story to meet the course requirement. By the end of the semester we’re to have crafted three short stories. At least one should be heroic fantasy and one should be urban fantasy. Those familiar with The Bewildering Adventures of King Bewilliam know that I have a LOT of novel-length heroic fantasy under my belt, so I thought for my first outing I’d give urban fantasy a whirl. I’ve been writing magical realism lately; you can read my short story Blackwing in the Magic Unveiled anthology when it launches in October. My class project is also magical realism in a contemporary setting. At the rate of five pages a week, I’ll have the first draft done in three weeks.

About Dee

"What if?" Those two words all too easily send Devorah Fox spinning into flights of fancy. Best-selling author of “The Redoubt,” voted one of 50 Self-Published Books Worth Reading 2016, and three other books in The Bewildering Adventures of King Bewilliam epic historical fantasy series. She also co-authored the contemporary thriller, Naked Came the Sharks, with Jed Donellie. She contributed to Masters of Time: a SciFi/Fantasy Time Travel Anthology and has several Short Reads to her name, including Murder by the Book, A Mystery Mini. Born in Brooklyn, New York, she now lives in The Barefoot Palace on the Texas Gulf Coast with rescued tabby cats ... and a dragon named Inky. Visit the “Dee-Scoveries” blog at
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